A Glimpse into South Australian Street Art (2018)

Street art is a celebrated part of many cities across the globe. Bare walls and back-alleys are constantly being transformed into vibrant works of art. From murals, paste-ups, sticker art, prints, stencils, installations and large-scale paintings, this visual medium has earned its place in the contemporary world of art.

Read the full article by purchasing Carmen: Creative Bible issue #1.

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Sugarcandy Mountain (Live at Broadcast Bar) (2018)

*performed at ‘Paroxysm Tops it Off! Novel Edition’ hosted by Paroxysm Press, Adelaide Fringe, 18 February 2018.

Let’s face it, comrades – the luxuries you were promised during The Rebellion have all been abandoned by your so-called leader. I would assume that you’re all in desperate need of some guidance, so I stand before you here today with a solution.

I have a proposal for all of the animals who are gathered in secret here today. I ask, but do not request, that you consider putting your faith into The Land of Afterlife. For those of you who are unaware, the place I speak of is where animals go when they die, a place where we roam free without being subject to conflict or cruelty.

It’s the utopian land of perfection. Some of you may be able to picture it now: the abundance of food, the clear skies, the fresh air. Sounds delightful, doesn’t it?

Perhaps you’ll also find comfort in knowing that all of your labours on Earth will be rewarded to you with infinite leisure. That’s right, comrades, there is no work to be done here either. You shall rest from your tireless efforts for eternity.

What you experience here will become a distant memory if you maintain your belief, comrades. So during this time, do not allow your focus to be distracted from lies ahead of you. If anything, your faith should be growing stronger.

So for those who carry doubts (which I’m sure there are plenty of you who do), I’m confident that you’ll realise the true significance of this place sooner or later. It’s inevitable that you do. Whether we like to admit it or not, comrades, our spiritual beliefs instinctively come out of hiding during times of misfortune.

You’ll automatically place your trust into it when all else fails. After all, everyone needs some kind of reassurance in their life, a beacon of hope to save us all from what we fear. For many of you, this place is your light at the end of the tunnel.

So as you’re made to squalor under Napoleon’s reign, it’s important for you all to remember that your faith is the gateway to utopia. Allow that to sink in for a moment – your faith is the gateway to utopia. Remember that.

You and I (2017)

You’re standing outside your friend’s apartment building, your body soaking, your phone without a percentage. You lift your handbag over your head and begin to walk. It doesn’t take long for you to slip and fall onto the pavement. You cry, but the tears are hidden amid the rain that falls onto your face. Now, more than ever, is the opportunity to reveal myself to you. I lower the car window and speak to you for the very first time.

Read the full short story on Tulpa Magazine.

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Novelists – ‘Noir’ (2017)

When considering progressive metalcore as a sub-genre, there is a specific quality to the sound. Those who produce music in this form tend to be in favour of something that’s more technical, experimental and djenty. Whether you’re a fan of this style or not you can, at the very least, appreciate how it attempts to push the boundaries. While the debut album from France-based Novelists exemplifies this is many ways, their new sophomore release, ‘Noir‘, falls flat by comparison. When considering this new LP in its entirety, Novelists have produced something that’s a solid effort and shows some innovative elements. Yet, you can’t help but notice such a close distinction between the band’s two albums, as they feature such striking similarities.

Read the full review on Kill Your Stereo

Novelists Noir Tanner Muller Kill Your Stereo review

Ghost Atlas – ‘All is in sync and there’s nothing left to sing about’ (2017)

Better known for his soaring vocals and blazing guitar leads in ERRAJesse Cash has stepped out on his own for a full-length album under the moniker, Ghost Atlas. His new record, ‘All is in sync and there’s nothing left to sing about’ sees Cash taking a far more personal approach to his writing and his production. ‘All is in sync and there’s nothing left to sing about’ is the genuine Cash; showing his emotions and life experiences in their most natural form.

Read the full review on Kill Your Stereo.

Ghost Atlas Kill Your Stereo All is in sync and there's nothing left to sing about tanner muller review